Movie Review: Vratné Lahve

Maple Pictures, Jan Sverák's Film Empties, Starring Zdenek Sverák

© Dominic von Riedemann

May 28, 2009
Vratné Lahve (Empties) poster, copyright 2009 Maple Pictures
Jan Sverák's film Vratné Lahve (Empties), starring Zdenek Sverák and Daniela Kolárová, is a haunting meditation on life, aging and marriage. 7/10.

What happens when you retire? What do you do with your life when the two major foci of your life (work and kids) have gone? How do you restore the spark in a marriage when you've seemingly drifted into a state of comfortable bickering with no passion?

These are the questions Czech director Jan Sverák (Kolya) seeks to answer with his latest film Vratné Lahve (Empties). Written by, and starring, his father Zdenek Sverák, the film depicts a battle to keep hope and optimism alive when routine has bitten hard and ambitions are low.

Jan Sverák's Vratné Lahve (Empties) Stars Zdenek Sverák and Daniela Kolárová

Schoolteacher Josef Tkaloun (Sverák) abruptly retires, unable to control his students or his frustration with their obnoxious behaviour. Once he does, he's rudderless, unwilling and unable to descend into a useless retirement. When his first choice of a second career – bicycle courier – doesn't work out, he takes a part-time job as a bottle recycler at the local supermarket, dispensing advice and good cheer to his customers. He also acts as impromptu matchmaker, trying to teach his coworkers about life and love, and setting his heartbroken daughter up with his former assistant principal (Jirí Machácek).

But the job that Tkaloun so loves may be in jeopardy, and he's feeling tempted by other women: at least one, a fellow schoolteacher (Nella Boudová), makes it clear that she would enjoy Tlakoun's presence in her bed. In addition, Tkaloun's scolding wife (Daniela Kolárová) – wondering if her husband has finally lost his mind – is feeling neglected and is herself tempted by another man.

All this could be grounds for a turgid weep-fest, but the Sveráks' script and direction leaven the doom and gloom with frequent moments of lightness and warmth. Whether it's the occasional slapstick moment or touching scenes (Tlakoun teaching his grandson to pee standing up), Vratné Lahve depicts a world where comedy and heartbreak are both a fingers-width away.

The Final Analysis

Although Vratné Lahve's reach may at times exceed its grasp, it has a rawness and honesty that's compelling to watch. Festival audiences have agreed; the movie won the Audience awards at the Cottbus, Czech Lions, Ljubljana and Karlovy Vary international film festivals. Fans of European films like Amelie or Is Anybody There would appreciate what this flick has to offer.

While the pacing might be slow, and lack the whiz-bang visuals of your typical Hollywood blockbuster, the patient audience member will be rewarded with a compelling film. Vratné Lahve gets a 7/10.


The copyright of the article Movie Review: Vratné Lahve in European Films is owned by Dominic von Riedemann. Permission to republish Movie Review: Vratné Lahve in print or online must be granted by the author in writing.


Vratné Lahve (Empties) poster, copyright 2009 Maple Pictures
       


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